The Song of the Returned: A two-way analysis in musical semiotics
Identifieur interne : 000050 ( Main/Exploration ); précédent : 000049; suivant : 000051The Song of the Returned: A two-way analysis in musical semiotics
Auteurs : Arjan Van Baest ; Willem Marie SpeelmanSource :
- Semiotica [ 0037-1998 ] ; 1999.
English descriptors
- Teeft :
- Baest, Certain expectations, Certain extent, Definitive knowledge, Different semiotic approaches, Enunciative actor, Extrinsic knowledge, Figurative isotopy, First part, First stage, Flute, Flute melody, Flute part, Flute parts, Flute solo, Flute solos, Greimassian, Greimassian description, Huub oosterhuis, Immediate interpretant, Immediate object, Interpretant, Intertextual relation, Intriguing, Intriguing phenomenon, Intrinsic knowledge, Irae motif, Isotopy, Literary discourse, Liturgical songs, Monotonous rhythm, Motif, Musical categories, Musical context, Musical development, Musical devices, Musical discourse, Musical impression, Musical signification, Musical sound, Nomadic course, Oppressed justice, Other words, Peirce, Peircean, Peircean semiotics, Possible explanation, Principal research interests, Representamen, Research object, Second part, Second stage, Semiosis, Semiotic, Semiotic body, Semiotic theories, Semiotics, Separate description, Signification, Simpler hypothesis, Speelman, Strange event, Striking event, Striking events, Successive tones, Surprising phenomenon, Syntactic discoursive structure, Syntactic organization, Tensive intervals, Thematic isotopy, Third part, Third stage, Tilburg university, Unknown singer, Willem, Willem marie, Willem vogel.
Url:
DOI: 10.1515/semi.1999.123.3-4.261
Affiliations:
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first="Arjan" last="Van Baest">Arjan Van Baest</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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